11 journées depuis
🚨NEW STORY ALERT🚨
BROTHERHOOD: A Nsanakang Story
Link to story: https://zebra-comics.com/c...
ABOUT THE STORY
After the Germans colonised, seized their lands and forced them into slavery, Ebai holds a grudge against their oppressors and vows to retaliate. However, his brother Enow develops a liking for the Germans. As World War 1 reaches their land, the two brothers find themselves on opposite sides. Will the bond of blood be strong enough to prevent them from killing each other?
THE TEAM
Writer: Njoka Suyru
Illustrator: Bykobarts
Colorist: MINK Studio-arti
Letterer: Tamujong Azushi
Editor: Ejob Gaius
PS. PRE-ORDER DC COMICS' JOKER: THE WORLD ON THE ZEBRA COMICS APP.
👇🏾👇🏾👇🏾
📲(Apple Users)
https://apps.apple.com/us/...
📲 (Android)
https://play.google.com/st...
(Website) : https://zebra-comics.com
BROTHERHOOD: A Nsanakang Story
Link to story: https://zebra-comics.com/c...
ABOUT THE STORY
After the Germans colonised, seized their lands and forced them into slavery, Ebai holds a grudge against their oppressors and vows to retaliate. However, his brother Enow develops a liking for the Germans. As World War 1 reaches their land, the two brothers find themselves on opposite sides. Will the bond of blood be strong enough to prevent them from killing each other?
THE TEAM
Writer: Njoka Suyru
Illustrator: Bykobarts
Colorist: MINK Studio-arti
Letterer: Tamujong Azushi
Editor: Ejob Gaius
PS. PRE-ORDER DC COMICS' JOKER: THE WORLD ON THE ZEBRA COMICS APP.
👇🏾👇🏾👇🏾
📲(Apple Users)
https://apps.apple.com/us/...
📲 (Android)
https://play.google.com/st...
(Website) : https://zebra-comics.com
11 journées depuis
When sorcery becomes a weapon of war, what could go wrong?
View episodes of WRONG-DIAL now on the Zebra Comics app.
👇🏾👇🏾👇🏾
📲(Apple Users)
https://apps.apple.com/us/...
📲 (Android)
https://play.google.com/st...
(Website) : https://zebra-comics.com
View episodes of WRONG-DIAL now on the Zebra Comics app.
👇🏾👇🏾👇🏾
📲(Apple Users)
https://apps.apple.com/us/...
📲 (Android)
https://play.google.com/st...
(Website) : https://zebra-comics.com
27 journées depuis
𝐂𝐨𝐨𝐩𝐞𝐫𝐚𝐭𝐢𝐨𝐧
𝐌𝐈𝐍𝐄𝐒𝐔𝐏 𝐰𝐞𝐥𝐜𝐨𝐦𝐞𝐬 𝐁𝐮𝐫𝐤𝐢𝐧𝐚 𝐅𝐚𝐬𝐨
𝑻𝒉𝒆 𝑴𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑺𝒕𝒂𝒕𝒆, 𝑴𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑯𝒊𝒈𝒉𝒆𝒓 𝑬𝒅𝒖𝒄𝒂𝒕𝒊𝒐𝒏, 𝑷𝒓𝒐𝒇. 𝑱𝒂𝒄𝒒𝒖𝒆𝒔 𝑭𝑨𝑴𝑬 𝑵𝑫𝑶𝑵𝑮𝑶, 𝒈𝒓𝒂𝒏𝒕𝒆𝒅 𝒂𝒏 𝒂𝒖𝒅𝒊𝒆𝒏𝒄𝒆, 𝒐𝒏 𝑻𝒉𝒖𝒓𝒔𝒅𝒂𝒚 28 𝑴𝒂𝒓𝒄𝒉 2024 𝒊𝒏 𝒄𝒐𝒏𝒇𝒆𝒓𝒆𝒏𝒄𝒆 𝒓𝒐𝒐𝒎 1036 𝒐𝒇 𝒉𝒊𝒔 𝑴𝒊𝒏𝒊𝒔𝒕𝒓𝒚, 𝒕𝒐 𝑫𝒓 𝒁𝒂𝒌𝒂𝒓𝒊𝒂 𝑺𝑶𝑹𝑬, 𝑺𝒆𝒄𝒓𝒆𝒕𝒂𝒓𝒚 𝑮𝒆𝒏𝒆𝒓𝒂𝒍 𝒂𝒕 𝒕𝒉𝒆 𝑷𝒓𝒆𝒔𝒊𝒅𝒆𝒏𝒄𝒚 𝒐𝒇 𝑩𝒖𝒓𝒌𝒊𝒏𝒂 𝑭𝒂𝒔𝒐, 𝒘𝒉𝒐 𝒘𝒂𝒔 𝒂𝒄𝒄𝒐𝒎𝒑𝒂𝒏𝒊𝒆𝒅 𝒃𝒚 𝑷𝒓𝒐𝒇. 𝑭𝒂𝒃𝒊𝒆𝒏 𝑵𝑲𝑶𝑻, 𝑯𝒆𝒂𝒅 𝒐𝒇 𝒕𝒉𝒆 𝑫𝒆𝒑𝒂𝒓𝒕𝒎𝒆𝒏𝒕 𝒐𝒇 𝑷𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍 𝑺𝒄𝒊𝒆𝒏𝒄𝒆 𝒂𝒕 𝒕𝒉𝒆 𝑼𝒏𝒊𝒗𝒆𝒓𝒔𝒊𝒕𝒚 𝒐𝒇 𝒀𝒂𝒐𝒖𝒏𝒅𝒆 𝑰𝑰.
In his welcome address, Prof. Jacques Fame Ndongo, Minister of State, Minister of Higher Education, praised the profile of his guest. The latter is the first to hold a doctorate in Sociology from the Joseph Ki-Zerbo University of Ouagadougou. His work in the field also inspired admiration, as well as his mastery of the scientific and administrative spheres. The Minister of State expressed his gratitude to Prof. Fabien NKOT, Head of the Department of Political Science at the University of Yaounde II, who led this intellectual and political eminence within MINESUP's premises.
In response, Dr Zakaria SORE, Secretary General at the Presidency of Burkina Faso, expressed his wish to learn from Cameroon's University experience. In the same vein, he pointed out that a significant number of Burkinabe have been trained in Cameroon. Indeed, he revealed that 60% of demographers in Burkina Faso were trained in our country, notably at the Institute for Demographic Training and Research (IFORD) of the University of Yaounde II. It is therefore an opportunity for him to draw inspiration from Cameroon's higher education system to develop that of the Land of Upright People, but also to envisage collaboration between the Universities of the two States. He further explains by saying: “I am here to pave the way between Cameroonian higher education and higher education of Burkina Faso”.
At the end of this audience, which focused on sharing experiences, the Minister of State, Minister of Higher Education, assured his Burkinabe guest that the areas of collaboration between the two university systems would be set out in a memorandum that he will submit to his superiors as soon as he returns to Burkina Faso.
𝐂𝐄𝐋𝐂𝐎𝐌/ #𝐌𝐈𝐍𝐄𝐒𝐔𝐏
𝐌𝐈𝐍𝐄𝐒𝐔𝐏 𝐰𝐞𝐥𝐜𝐨𝐦𝐞𝐬 𝐁𝐮𝐫𝐤𝐢𝐧𝐚 𝐅𝐚𝐬𝐨
𝑻𝒉𝒆 𝑴𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑺𝒕𝒂𝒕𝒆, 𝑴𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑯𝒊𝒈𝒉𝒆𝒓 𝑬𝒅𝒖𝒄𝒂𝒕𝒊𝒐𝒏, 𝑷𝒓𝒐𝒇. 𝑱𝒂𝒄𝒒𝒖𝒆𝒔 𝑭𝑨𝑴𝑬 𝑵𝑫𝑶𝑵𝑮𝑶, 𝒈𝒓𝒂𝒏𝒕𝒆𝒅 𝒂𝒏 𝒂𝒖𝒅𝒊𝒆𝒏𝒄𝒆, 𝒐𝒏 𝑻𝒉𝒖𝒓𝒔𝒅𝒂𝒚 28 𝑴𝒂𝒓𝒄𝒉 2024 𝒊𝒏 𝒄𝒐𝒏𝒇𝒆𝒓𝒆𝒏𝒄𝒆 𝒓𝒐𝒐𝒎 1036 𝒐𝒇 𝒉𝒊𝒔 𝑴𝒊𝒏𝒊𝒔𝒕𝒓𝒚, 𝒕𝒐 𝑫𝒓 𝒁𝒂𝒌𝒂𝒓𝒊𝒂 𝑺𝑶𝑹𝑬, 𝑺𝒆𝒄𝒓𝒆𝒕𝒂𝒓𝒚 𝑮𝒆𝒏𝒆𝒓𝒂𝒍 𝒂𝒕 𝒕𝒉𝒆 𝑷𝒓𝒆𝒔𝒊𝒅𝒆𝒏𝒄𝒚 𝒐𝒇 𝑩𝒖𝒓𝒌𝒊𝒏𝒂 𝑭𝒂𝒔𝒐, 𝒘𝒉𝒐 𝒘𝒂𝒔 𝒂𝒄𝒄𝒐𝒎𝒑𝒂𝒏𝒊𝒆𝒅 𝒃𝒚 𝑷𝒓𝒐𝒇. 𝑭𝒂𝒃𝒊𝒆𝒏 𝑵𝑲𝑶𝑻, 𝑯𝒆𝒂𝒅 𝒐𝒇 𝒕𝒉𝒆 𝑫𝒆𝒑𝒂𝒓𝒕𝒎𝒆𝒏𝒕 𝒐𝒇 𝑷𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍 𝑺𝒄𝒊𝒆𝒏𝒄𝒆 𝒂𝒕 𝒕𝒉𝒆 𝑼𝒏𝒊𝒗𝒆𝒓𝒔𝒊𝒕𝒚 𝒐𝒇 𝒀𝒂𝒐𝒖𝒏𝒅𝒆 𝑰𝑰.
In his welcome address, Prof. Jacques Fame Ndongo, Minister of State, Minister of Higher Education, praised the profile of his guest. The latter is the first to hold a doctorate in Sociology from the Joseph Ki-Zerbo University of Ouagadougou. His work in the field also inspired admiration, as well as his mastery of the scientific and administrative spheres. The Minister of State expressed his gratitude to Prof. Fabien NKOT, Head of the Department of Political Science at the University of Yaounde II, who led this intellectual and political eminence within MINESUP's premises.
In response, Dr Zakaria SORE, Secretary General at the Presidency of Burkina Faso, expressed his wish to learn from Cameroon's University experience. In the same vein, he pointed out that a significant number of Burkinabe have been trained in Cameroon. Indeed, he revealed that 60% of demographers in Burkina Faso were trained in our country, notably at the Institute for Demographic Training and Research (IFORD) of the University of Yaounde II. It is therefore an opportunity for him to draw inspiration from Cameroon's higher education system to develop that of the Land of Upright People, but also to envisage collaboration between the Universities of the two States. He further explains by saying: “I am here to pave the way between Cameroonian higher education and higher education of Burkina Faso”.
At the end of this audience, which focused on sharing experiences, the Minister of State, Minister of Higher Education, assured his Burkinabe guest that the areas of collaboration between the two university systems would be set out in a memorandum that he will submit to his superiors as soon as he returns to Burkina Faso.
𝐂𝐄𝐋𝐂𝐎𝐌/ #𝐌𝐈𝐍𝐄𝐒𝐔𝐏
1 mois depuis
"We Must Go to West Africa(🇳🇬🇬🇭l🇱🇷🇸🇱🇬🇲...) Akumba Music will punch harder into that market" - Achu Normad.
The founder & CEO of Akumba Music, Achu Normad encourages investors in the entertainment industry to target the west African entertainment industry.
He writes 👇
"We Must Go to West Africa!!! Watch my ***** e for the next 6-12 months, Akumba Music will punched harder into that market in an attempt to connect our English Community to it. We must go west!!!
For years, our artist went towards French Africa but it has proven not to be sustainable. This is because the entertainment culture is NOT our culture and we don’t even speak the language. We have had to adapt and ended up losing creativity in the process.
Also, Central Africa doesn’t have the financial infrastructure to support modern day commerce hence the discouraging return on investments. There’s some kind of a blood sucking grip on the banking and financial systems in Francophone Africa, not permitting it to grow and innovate.
Wuna want stream music na with Momo or OM ?
While kids like Asake, Ruger and Buju are making billions of Naira in streams, Leo is here trying to sell his album with Momo 😭
How will he get a ROI when he can’t even perform transactions. He’s handicapped even before the race begins.
On the other hand, The Nigerian market has the infrastructure to sell digital content. The highly innovative banking system in Nigeria is really robust and makes digital transactions very suitable, highly preferred, leaving EVERYONE being required to get a bank account and debit card.
This means everyone can subscribe and stream content digitally. Imagine a giant market with a potential of 50 million Spotify users, this means every upcoming artist hits the ground running with 100k monthly listeners. This is the real power of the Nigerian entertainment industry apart from its obvious high population.
To top it all, we can completely relate with Nigeria. Our region was once Nigeria for almost 50 years. We are Geographically close, speak the same official language and share cultural values. Content from West Africa has programmed us for decades.
We grew up listening to P Square, Style plus, 2 face, Timaya, Flavor, Banki W, Bracket etc. These songs programmed us and defined our urban music sound.
That’s why our community only listens to Afrobeats and we can breed pure afrobeats prodigies like Elisha k and Raizy. Also, Our movie industry is programmed by Nollywood, that is why the death of a Nollywood actor will completely hijack our Facebook feeds for days.
Equally, praise and worship in Our Churches has been completely programmed by Nigerian Gospel. Infact delete Naija Gospel from our churches and church service may not hold that Sunday.
My Point is, our community is culturally linked to West Africa and it’s even better because that’s the market that’s driving global showbiz. So, we must complete migrate to that Market.
When Salas and Leo started with that dream team from Buea, if they had gone towards west Africa instead of coming to Douala, I think we should have had better returns from them.
Today, Krys M gets 40 million views on a song on YouTube but over 75% of those views generate her Zero income because they are from Non-monetized Central Africa.
She gets 40million on a song but can’t even get 50k monthly listeners on Spotify, because she resides in a region which doesn’t even have a payment processing system to permit her fans to get a Spotify account and make her rich. It’s Quite unfortunate but that’s the reality in Francophone Africa.
We MUST GO To WEST AFRICA" - Achu Normad.
#AkumbaMusic #kimbiblog #Promozik TV
The founder & CEO of Akumba Music, Achu Normad encourages investors in the entertainment industry to target the west African entertainment industry.
He writes 👇
"We Must Go to West Africa!!! Watch my ***** e for the next 6-12 months, Akumba Music will punched harder into that market in an attempt to connect our English Community to it. We must go west!!!
For years, our artist went towards French Africa but it has proven not to be sustainable. This is because the entertainment culture is NOT our culture and we don’t even speak the language. We have had to adapt and ended up losing creativity in the process.
Also, Central Africa doesn’t have the financial infrastructure to support modern day commerce hence the discouraging return on investments. There’s some kind of a blood sucking grip on the banking and financial systems in Francophone Africa, not permitting it to grow and innovate.
Wuna want stream music na with Momo or OM ?
While kids like Asake, Ruger and Buju are making billions of Naira in streams, Leo is here trying to sell his album with Momo 😭
How will he get a ROI when he can’t even perform transactions. He’s handicapped even before the race begins.
On the other hand, The Nigerian market has the infrastructure to sell digital content. The highly innovative banking system in Nigeria is really robust and makes digital transactions very suitable, highly preferred, leaving EVERYONE being required to get a bank account and debit card.
This means everyone can subscribe and stream content digitally. Imagine a giant market with a potential of 50 million Spotify users, this means every upcoming artist hits the ground running with 100k monthly listeners. This is the real power of the Nigerian entertainment industry apart from its obvious high population.
To top it all, we can completely relate with Nigeria. Our region was once Nigeria for almost 50 years. We are Geographically close, speak the same official language and share cultural values. Content from West Africa has programmed us for decades.
We grew up listening to P Square, Style plus, 2 face, Timaya, Flavor, Banki W, Bracket etc. These songs programmed us and defined our urban music sound.
That’s why our community only listens to Afrobeats and we can breed pure afrobeats prodigies like Elisha k and Raizy. Also, Our movie industry is programmed by Nollywood, that is why the death of a Nollywood actor will completely hijack our Facebook feeds for days.
Equally, praise and worship in Our Churches has been completely programmed by Nigerian Gospel. Infact delete Naija Gospel from our churches and church service may not hold that Sunday.
My Point is, our community is culturally linked to West Africa and it’s even better because that’s the market that’s driving global showbiz. So, we must complete migrate to that Market.
When Salas and Leo started with that dream team from Buea, if they had gone towards west Africa instead of coming to Douala, I think we should have had better returns from them.
Today, Krys M gets 40 million views on a song on YouTube but over 75% of those views generate her Zero income because they are from Non-monetized Central Africa.
She gets 40million on a song but can’t even get 50k monthly listeners on Spotify, because she resides in a region which doesn’t even have a payment processing system to permit her fans to get a Spotify account and make her rich. It’s Quite unfortunate but that’s the reality in Francophone Africa.
We MUST GO To WEST AFRICA" - Achu Normad.
#AkumbaMusic #kimbiblog #Promozik TV
1 mois depuis
🔴 This is very correct!! but me I will collect my child so far DNA prove it that it belongs to me.🙈😂 (just kidding)!!.
Please my brothers try and do her Traditional Rights. There is no "main time" for any white wedding. It's all unnecessary trouble we put ourselves through. The important part is the traditional aspect of it, where bride price is paid and items listed by the bride's family is given and accepted. Anything else na public show.
MEN, BE GUIDED!!
Please my brothers try and do her Traditional Rights. There is no "main time" for any white wedding. It's all unnecessary trouble we put ourselves through. The important part is the traditional aspect of it, where bride price is paid and items listed by the bride's family is given and accepted. Anything else na public show.
MEN, BE GUIDED!!
1 mois depuis
#DidYouKnow On December 18, 2006, Robert Lee Curbeam Jr. set a new single mission American ***** ewalk record when he completed four ***** e walks.
Curbeam was born on March 5, 1962, in Baltimore, Maryland. In 1980, he graduated from Woodlawn High School and received a nomination to the United States Naval Academy in Annapolis, Maryland. In 1884, Curbeam graduated and later completed Naval Flight Officer training. He was assigned to the USS Forrestal where he served in the Mediterranean and Caribbean Seas, and the Artic and Indian Oceans.
In 1990, Curbeam graduated from the Naval Postgraduate School in Monterey, California, with a master’s degree in aeronautical engineering. In 1991, he completed Test Pilot School and reported to the Strike Aircraft Test Directorate in Patuxent River, Maryland. In August 1994, he returned to the Naval Academy as a Captain and instructor in the Weapons and Systems Engineering Department.
In December 1994, Curbeam was selected as a NASA astronaut candidate. After a year of training and evaluation, he was selected as an astronaut for future ***** e flight missions. On August 7, 1997, Curbeam participated in his first ***** eflight mission to test equipment for use on the future International ***** e Station. On December 9, he departed for his third ***** eflight mission, where he’d complete a record setting four ***** ewalks. A ***** ewalk, or extravehicular activity, is work done by an astronaut outside of the ***** ecraft. During these ***** ewalks, Curbeam helped install new electrical systems on the International ***** e Station.
In 2007, after thirteen years at NASA, #RobertCurbeam retired. He continues to speak at school and community events to inspire future astronauts to one day land on Mars.
Join us daily until April 8, to learn about the members of the #Afronauts (the affinity group of African American astronauts) who also served in the military and some safety tips to enjoy the upcoming eclipse.
📸Photo: Captain Robert Curbeam, courtesy of NASA
Curbeam was born on March 5, 1962, in Baltimore, Maryland. In 1980, he graduated from Woodlawn High School and received a nomination to the United States Naval Academy in Annapolis, Maryland. In 1884, Curbeam graduated and later completed Naval Flight Officer training. He was assigned to the USS Forrestal where he served in the Mediterranean and Caribbean Seas, and the Artic and Indian Oceans.
In 1990, Curbeam graduated from the Naval Postgraduate School in Monterey, California, with a master’s degree in aeronautical engineering. In 1991, he completed Test Pilot School and reported to the Strike Aircraft Test Directorate in Patuxent River, Maryland. In August 1994, he returned to the Naval Academy as a Captain and instructor in the Weapons and Systems Engineering Department.
In December 1994, Curbeam was selected as a NASA astronaut candidate. After a year of training and evaluation, he was selected as an astronaut for future ***** e flight missions. On August 7, 1997, Curbeam participated in his first ***** eflight mission to test equipment for use on the future International ***** e Station. On December 9, he departed for his third ***** eflight mission, where he’d complete a record setting four ***** ewalks. A ***** ewalk, or extravehicular activity, is work done by an astronaut outside of the ***** ecraft. During these ***** ewalks, Curbeam helped install new electrical systems on the International ***** e Station.
In 2007, after thirteen years at NASA, #RobertCurbeam retired. He continues to speak at school and community events to inspire future astronauts to one day land on Mars.
Join us daily until April 8, to learn about the members of the #Afronauts (the affinity group of African American astronauts) who also served in the military and some safety tips to enjoy the upcoming eclipse.
📸Photo: Captain Robert Curbeam, courtesy of NASA
2 mois depuis
🇳🇬 LA CHANTEUSE NIGÉRIANE #TEMS À UN JOURNALISTE AMÉRICAIN :
🗣️ « Tyla et Asake sont mes artistes africains préférés en ce moment. J'ai fait la vidéo de danse aquatique de Tyla mais je ne la publierai pas car tout le monde se concentrera sur mes fesses »
🗣️ « Tyla et Asake sont mes artistes africains préférés en ce moment. J'ai fait la vidéo de danse aquatique de Tyla mais je ne la publierai pas car tout le monde se concentrera sur mes fesses »
2 mois depuis
REINE-DOMINIQUE NTONE SIKE est la première femme scientifique camerounaise à intégrer la NASA. Elle travaille maintenant pour Blue Origin comme Aerospace Systems Engineer III.
À seulement 29 ans, Reine-Dominique est devenue la première femme scientifique camerounaise à intégrer l’une des plus grandes organisations au monde : la NASA. De son enfance au Cameroun à son job à la NASA en passant par ses études à l'Université d'Évry.
#237FoisExcellentes #TwitbookNB
À seulement 29 ans, Reine-Dominique est devenue la première femme scientifique camerounaise à intégrer l’une des plus grandes organisations au monde : la NASA. De son enfance au Cameroun à son job à la NASA en passant par ses études à l'Université d'Évry.
#237FoisExcellentes #TwitbookNB
